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Child of Light Review

Child of Light Header

When franchises such as Final Fantasy, Phantasy Star, Suikoden, Grandia, and Lunar became embraced by global audiences amidst the 1990s, many believed that these engaging JRPG experiences would influence the output of North American and European studios. Likewise, the work of Western studios would inevitably be studied and scrutinized back in Japan, resulting in a rich, transcontinental dialog of design decisions. Regretfully, this cycle of inspiration never really came to fruition, with stateside studios relying on Tolkienesque tropes and Japanese developers habitually catering to the otaku culture. Over the ensuing decades, a full-fledged marriage of Eastern and Western philosophies grew increasingly unlikely.

As the storyline of Child of Light reminds us, triumph often starts in unlikely places. Crafted by creative director Patrick Plourde and penned by writer Jeffrey Yohalem (a duo who previously worked together on Far Cry 3) the title is refreshingly incongruent, shirking a sense of bombastic spectacle for an affecting adventure which demonstrates the virtues of subtlety and restraint. While the title’s blend of platforming and turn-based battles might draw comparisons to tri-Ace’s PlayStation title, Valkyrie Profile, in execution Child of Light channels Team ICO’s sense of poignancy and muted charm.

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Constructed of rhyming verse and storybook-like renderings, the title’s prologue details the story of Aurora, a crimson-haired Austrian heiress who falls ill, awaking in a mythical land called Lemuria. Once a realm spilling with natural splendor, a nefarious Dark Queen has stolen the sun, moon, and stars-  effectively disfiguring the domain. Players assume the role of Aurora, as well as a valiant blue firefly named Igniculus, and encounter a number of secondary, supporting characters outfitted with their own backstories and motivations. Collectively, the party of adventurers struggle to eradicate despair from Lemuria, replacing the darkness with revitalizing light. Far removed from the type of lurid fan service which fuels many contemporary JRPGs, Child of Light’s plotline evokes a fairy tale-like ambiance built upon a compilation of dualistic oppositions, allowing a wide demographic to enjoy the title.

Powered by the UbiArt Framework engine, which was used to deliver the sumptuous backdrops and fluidly moving sprites of Rayman Origins and Legends, Child of Light employs an aesthetic which seems culled from a vintage picture book. Muted watercolors breathe life into Lemuria’s numerous milieus, as pathways slice through bristly brush, burrow into shadowy caverns, and pass shimmering streams. Creatively brims throughout the journey, as when players stumble upon a cluster of characters that the Queen has transformed into crows- yet the group retains their humanly artifacts of hats and pipes. Mirroring the aforementioned Ubisoft Montpellier-developed titles, Child of Light’s animation is consistently sinuous- highlighted by Aurora’s billowing mane and minute but evocative gestures such as when the heroine stalwartly retrieves her toppled crown. Likewise Cœur de Pirate’s (née Béatrice Martin) soundtrack shifts between plaintive piano melodies and battle hymns which channel Nobuo Uematsu.

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As a reminder of Lemuria’s lost splendor, small trees dot the landscape, each blooming with Whispers- tiny, glowing pods capable of replenishing health and magic points. When playing Child of Light alone, the right analog stick can send Igniculus to harvest these orbs. Alternatively, the firefly can be controlled by another player, much like Murfy’s assistance from Rayman Legends. Periodically, the two work cooperatively, casting shadows or light beams on objects to resolve the game’s puzzles. If Child of Light can be faulted, blame can be placed on the title’s posers, which might be a bit too simplistic for experienced gamers. Ideally, the game’s elevated difficulty setting would have earned its own set of testing conundrums for those well versed in switch pulling and crate shifting.

While the title’s puzzles don’t extend scalability, combat masterfully does. Once Aurora comes into contact with a creature in the wild, the game shifts to the battle screen, pitting two switchable allies against a small number of enemies. Initially, the combat seems straightforward, with turn order determined as icons travel along a single action gauge. Once a portrait moves into the meter’s “Cast” area, time halts- allowing the character to choose from a selection of melee, magic of defensive maneuvers. Nuance enters in through the interrupt mechanic- which allows either a friendly or enemy to disrupt the turn of others. Igniculus also comes into play, allowing players to slow enemy icons or even heal allies. Naturally, the assistant’s powers are limitless and imprudent gamers might find themselves in an increasingly underhanded situation. Battles are at their best when players are forced to micro-manage their whole party or min-max their way to victory against elementally-based bosses.

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Adeptly, Child of Light’s encounters against elevated enemies require little grinding, but the game does offer an ample number of side-quests should players find themselves struggling against a specific antagonist. And given the game’s expedited leveling system, players need only tackle a few of these auxiliary activities.  Two other possibilities extend the possibility of a helping hand: elongated tech-trees and a simple crafting system. The former provide a simplified roster of active and passive perks while the latter allow players to merge Oculi- gems which offer elemental resistance and abilities. While most contemporary JRPGs interrupt the action to force players to read through tutorials, Child of Light’s extends only essential tutelage, favoring easy to understand mechanics and gameplay which gradually goads gamers to extrapolate.

The presence of downloadable content in RPGs has the potential to upend the balance of gamplay, by prodding players into purchase difficulty-assuaging items. Although a marketplace offers amenities such as additional Oculi, extra stones aren’t needed to complete Child of Light. Instead, allusions in the storyline point to additional avenues for adventuring. If these supplements can match the game’s value proposition ($15 USD for a 15 hour journey), then any addendum would make an appreciated addition.

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Skillfully, Child of Light doesn’t imitate Japanese role-playing conventions, but rather uses these tenets as a framework for an enchanting and distinctive experience. Blending an exquisite art style, enjoyable play mechanics, and a design which eschews many complexities, the title is the rare entry capable of pleasing both aficionados and apprentices. Hopefully, other studios around the world take note and build on Child of Light’s prodigious blueprint.

Child of Light was played on the PlayStation 4 with review code provided by the publisher.

When franchises such as Final Fantasy, Phantasy Star, Suikoden, Grandia, and Lunar became embraced by global audiences amidst the 1990s, many believed that these engaging JRPG experiences would influence the output of North American and European studios. Likewise, the work of Western studios would inevitably be studied and scrutinized back in Japan, resulting in a rich, transcontinental dialog of design decisions. Regretfully, this cycle of inspiration never really came to fruition, with stateside studios relying on Tolkienesque tropes and Japanese developers habitually catering to the otaku culture. Over the ensuing decades, a full-fledged marriage of Eastern and Western philosophies grew…

Review Overview

Gameplay - 90%
Aesthetics - 95%
Story - 80%
Content - 90%
Accessibility - 85%

88%

Very Good

Summary : Proving that Western role-playing games don’t have to be solemn affairs ala Skyrim and Fallout 3, Child of Light draws inspiration from Japan’s rich role-playing legacy

User Rating: 4.48 ( 3 votes)

About Robert Allen

With over 35 years of gaming experience, Robert ‘DesertEagle’ Allen is Tech-Gaming’s resident worrier/warrior who spends his days teaching at three colleges and his nights devoted to JRPGs.

26 comments

  1. How much of that score is “I like because it’s almost a JRPG that’s on PC”???

  2. I love the art style. Reminds of all those books that they used to read to us in kinder and first. They all seems so magical and wonderful.

    • I like how they didn’t go for the anime style. That might have seemed fake.

  3. I ended up buying this on a whim and totally love it. Great story, graphics, sound- it’s one of the best downloadable games I’ve played since Bastion.

  4. Great review Robert. I might have to make this a full-priced purchase.

  5. So its got girlfriend mode? More games should have that.

  6. Has Ubi annonced what kind of DLC they are going to offer?

  7. I really like how Ubi supports consoles at launch. I dont know any other publisher making a Xbone rpg.

    • I thought we’d have to wait 2 years for one. And then have Sqeenix give us a 720p 30fps port.

  8. Are there any difference between the platforms like framers or I?

  9. Excellent review Robert. Your RPG reviews are always great.

    I wasn’t planning on picking this up but I just might have to now.

  10. cash sex vodka

    The story is a little boring to me. Especially the NPCs .

  11. Its not all that different from JRPGs, you’re still a little girl. 🙁

  12. Great review. Really good.

    I know you have to get paid and all, but those Trollbead ads with popups are really annoying.

    • Popup blocker!

      Back on topic: Child of Light sounds great. I also thought after FF7 and 8 that more American developers would try to copy the formula. It took a while but not there’s a lot of 16-bit (not 32 bit) RPGs availlable for PC.

      Check out:
      Anachronix
      Eternal Eden
      Aveyond
      Barkley Shut Up and Jam Gaiden

  13. I really wish we got the physical disk like they did in Europe. Cross-play would have been cool for those who have a PS3 right now and plan to upgrade in the future.

    Great graphics!

  14. I don’t really get how this is the first Western game to be like a JRPGs… There’s plenty of them.

  15. I really had zero interest in this game until I started hearing really good things about it this past week.

  16. Glad to see a 2 player RPG. Those are pretty rare.

  17. I’ve enjoyed CoL much more than I thought I would. Best thing to happen to my PS4 since launch.

  18. Do you know when the Vita version is coming out?